Studio magazine is a leading art publication with a focus on contemporary artists of African descent. In its second decade, Studio continues to celebrate artists and inform audiences through thought-provoking essays, insightful conversations,
and more.
As a means of gathering feedback on the new sculptural presence, Thomas J Price: Witness, in the neighborhood, the Studio Museum’s Education staff interviewed several park-goers and participants in a writing workshop program.
Read MoreThe poignancy of Texas Isaiah’s work lies in his ability to reimagine the healing potential of photography for Black people, particularly Black trans, gender expansive, and nonbinary folks.
Widline Cadet’s photographs entangle the past with the present as she uses the medium to communicate the often intangible feeling of being an immigrant.
When one is immersed in Jacolby Satterwhite’s films and installations, a dissolution occurs.
In Genesis Jerez’s mixed-media paintings, there is an ongoing mediation between formalist concerns and the demands of deeply personal subject matter.
The Studio Museum in Harlem is thrilled to announce Cameron Granger, Jacob Mason-Macklin, and Qualeasha Wood as the newest members of th
As a means of gathering feedback on the new sculptural presence, Thomas J Price: Witness, in the neighborhood, the Studio Museum’s Education staff interviewed several park-goers and participants in a writing workshop program.
Within this text, you’ll find the makings of a new series called The Flow, where contributors are invited to create call and responses between artworks, art movements, or artists with another outlet or field they have an existing relationship with. This is an exercise in expanding entry points and access for appreciating and connecting to works of art and artists by seeing art from multiple vantage points and perspectives. An audio recording is available at the bottom of this text; please follow along.
A note: This piece has been heavily hyperlinked. If you see a bolded, a bolded italicized, or an underlined word within a section, please click it.
The following is an excerpt from Ishmael Houston-Jones’s curatorial statement, which appears in the catalogue for PLATFORM 2012: Parallels.
In this edition of Studio Check In, Ilk Yasha speaks with Jamal Batts, a transdisciplinary scholar, curator, and writer who participated in the fall 2021 cohort of Museum Professionals Seminar.
In this Studio Check In, Ilk Yasha speaks with Brett Cook, an interdisciplinary artist and educator who was an artist in residence at The Studio Museum in Harlem from 1997 to 1998.
In this Studio Check In, Ilk Yasha speaks with Alexsandra Mitchell, who participated in the Museum Education Practicum at the height of the Covid-19 pandemic in 2020.
Fifty years after its founding, the Studio Museum remains at the forefront of institutions for artists of African descent, providing a haven for artists to create and see their work in, and be insp
